In a way harsh takedown of the formative 1985 teen movie “The Breakfast Club,” New Yorker critic Pauline Kael took aim at one of the genre’s most enduring tropes: the misunderstood teen. It’s an ...
From Pearl White’s Perils of Pauline to Antonioni’s aimless, quasi-somnambulant heroines, the wandering woman has a venerable ...
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